Every piece is made once

ORÉA MAISON
Two women in pleated stone-coloured dresses and tinted glasses wearing gem-set gold necklaces, drop earrings and stacked rings, seated before a carved façade
A man and a woman in linen and stone tones on sunlit steps beneath stone columns, wearing layered gem-set gold chains, stacked rings and bracelets

Gemstones and gold

The stone comes first.

View the collection

Commissions

How we make

In the vault

From the vault

All stones

31.515 ct Vivid Blue Sapphire

Cushion, Ceylon

POA

6.06 ct Violetish Green Blue Cobalt Spinel

Rectangular Cushion, No region stated on report

POA

The house at work

Drawn, forged, set, polished.

From a first conversation to a finished piece, and the bench it is made at.

An orange pink cushion cut stone held in tweezers over the house's card

The stone

Chosen from the vault, or brought by you.

How a commission works
A ring drawn in pencil on cream paper, dividers and a steel rule beside it, the loose stone at the top of the sheet

The drawing

A pencil sketch made in front of you, then a rendering to the stone's measurements.

How a commission works
A bone white resin proof of a ring held between finger and thumb, the finished gold ring behind

The model

A resin proof to try on for proportion and fit, before any gold is cut.

How a commission works
A goldsmith's hands closing a claw over a stone in a gold ring held in a wooden clamp

The making

Forged, set and finished by hand at one bench, and independently hallmarked.

How we make
A finished gold ring in an open charcoal suede box, the house's card beside it

The reveal

With its laboratory report, an insurance valuation, and care for life.

How a commission works
A design sheet showing a ring from three views, the loose oval stone on the corner of the paper

The house

How stones are sourced and reported, and how the gold is made.

The house

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